![]() It was the secrets of heaven and earth that I desired to learn and whether it was the outward substance of things or the inner spirit of nature and the mysterious soul of man that occupied me, still my inquiries were directed to the metaphysical, or in its highest sense, the physical secrets of the world. ![]() Example 2: Victor Frankenstein ( Frankenstein by Mary Shelley) By the novel’s end, reader sympathy for her character results in a release of pent-up sadness and despair, mirroring Hester’s own experience. As Hawthorne’s novel progresses, readers feel both pity and fear for Hester. ![]() Additionally, she is a tragic heroine in that her journey as a protagonist generates catharsis in readers. For this, she suffers a consequential reversal of circumstances through imprisonment and public ridicule. Hester Prynne is a tragic heroine due to her tragic flaw of fidelity outside her marriage to a weak man who doesn’t grant her the same sense of loyalty. This results in Hester’s isolation from society and a punishment of wearing a scarlet “A” on her chest, indicating her crime and shame. She remains loyal to her lover by refusing to reveal the paternity of her daughter Pearl. Hester Prynne has been convicted of adultery in a Puritan community. This passage from Hawthorne’s novel indicates the hamartia and peripeteia experienced by the protagonist Hester Prynne. Shame, Despair, Solitude! These had been her teachers-stern and wild ones-and they had made her strong, but taught her much amiss. She had wandered, without rule or guidance, into a moral wilderness… Her intellect and heart had their home, as it were, in desert places, where she roamed as freely as the wild Indian in his woods… The scarlet letter was her passport into regions where other women dared not tread. Here are some examples of tragic hero in literature: Example 1: Hester Prynne ( The Scarlet Letter by Nathaniel Hawthorne) Many great works of literature feature tragic hero as a literary device. Overall, a tragic hero must possess hamartia. For example, hubris is a common tragic flaw in that its nature is excessive pride and even defiance of the gods in Greek tragedy. Hamartia, sometimes known as tragic flaw, is a fault or failing withing a character that leads to their downfall. Here are some ways that writers carefully incorporate tragic hero into their work: Hamartia Additionally, all tragic heroes must experience a downfall leading to some form of ruin as a result of a tragic flaw in their character. However, all tragic heroes must have sympathy from the audience for their circumstances. They may even be somewhat villainous in nature. In addition, a modern tragic hero may not necessarily possess typical or conventional heroic qualities. The characteristics of the tragic hero have evolved since Aristotle’s time in the sense that they are not limited to nobility or the male gender. Overall, as a literary device, the tragic hero functions as the main character or protagonist of a tragedy. Therefore, their downfall is deserved and due entirely to their choices and devices. Though anti-heroes may do good things for wrong reasons, they are fundamentally flawed and their actions serve only themselves. ![]() However, as a character, the anti-hero still has an audience’s sympathy. The anti-hero may be deficient in characteristics such as courage or integrity. However, unlike a tragic hero, an anti-hero is lacking in virtues associated with heroism. As a result, these elements work together to generate a sympathetic response from the audience for tragic heroes.Īn anti-hero is also a protagonist in fiction. Finally, a tragic hero should suffer a reversal of fortune from good to bad, often leading to death or punishment that appears to be greater than deserved. In addition, tragic heroes must possess some sort of tragic flaw as part of their internal make-up or nature that makes them at least partially responsible for their own destruction. Essentially, for a character to be a tragic hero, they must have some initial virtue that makes them powerful, charismatic, or heroic in the minds of the audience. It can be difficult to distinguish between tragic hero and anti-hero in literary works.
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